A collection of poems, songs, videos and other random crap...
Book 2/Part 1/Issue 1
Panel 1 - “kids, your father will be just fine, like he said, it’s probably just raccoons. Those little guys can cause quite a hassle for campers like us” the mother says to her two twin sons beside her in the tent.
Panel 2 - “Hey buddy, just what in the fuck do you think you’re doing” says the father from outside the tent.
“kids, come here with me, get into this sleeping bag, I’m gonna zip it up all the way. Count to 1000 for me okay”
Panel 3 - she zips her two young sons into the sleeping bag “I can’t believe this is happening” she thinks to herself. “”This is your last fucking warning bud…” her husband bellows at the intruder.
Panel 4 - “please be okay, I can’t bear to imagine going on without you” she whispers to herself. “102, 103, 104” count the boys from inside the sleeping bag, completely unaware of their approaching demise.
Panel 5 - in an instant the tent bursts into flames. The screams of the boys from inside the sleeping bag fill their mothers ears.
Panel 6 - the zippers stuck… “oh fuck, this can’t be happening, this isn’t happening.” Sobs their mother as she tries to unzip the sleeping bag, the skin on her fingers blistering and melting from the flames licking their way across her body.
Panel 7 - The smoke is so dense, the smell of burning flesh and hair is over powering. “I’m sorry boys” she whispers to the now silent mounds in the sleeping bag.
Panel 8 - “SARAH, SARAH” screams her husband from behind the wall of fire.
Panel 9 - “it’s all my fault” chokes Sarah, lying on top of the sleeping bag containing her former children. As the exposed blackened bones in her arms glisten in the firelight, she dies.
Book 2/Part 1/Issue 2
Panel 1 - close up of the bus driver’s face while he’s sitting in the back of the cop car.
Panel 2 - The bus driver, a woman and 2 young twin boys (presumably the bus drivers wife and sons) are seen in a car loaded with camping gear, presumably on their way to a weekend of camping.
Panel 3 - The 4 arrive at their designated camping site and begin setting up the essentials.
Panel 4 - by night fall they’re finally finished setting up and sitting around a campfire eating marshmallows.
Panel 5 - The four get into their spacious tent for a night of relaxation and rest,
Panel 6 - *peering from between the branches of a nearby shrub* a creature of some sort is watching the family’s camp site
Panel 7 - *CRASH* a loud raucous wakes the bus driver and his family.
Panel 8 - lighting his gas lantern as he’s getting ready to open the tent door. “stay here with the kids, I’ll be right back, probably just some raccoons.”
Panel 9 - The bus driver peers into the darkness, his gas lantern barely lighting his way.
Panel 10 - The bus drivers light illuminates the silhouette of a large, lumbering creature rooting through the families cooler.
Panel 11 - “Jesus, it’s a bear” the bus driver whispers to himself, still moving steadily closer with his light to get a better look.
Panel 12 - The light falls on the face of what is seen to be the three thumbed man.
Panel 13 - “Hey buddy, just what in the fuck do you think you’re doing” screams the bus driver at the three thumbed man.
Panel 14 - clearly startled by the bus drivers sudden appearance, the theee thumbed man screams “AAAAAAAAA”
Panel 15 - “get the fuck out of here” the bus driver says still approaching the being
Panel 16 - supposedly still in shock the three thumbed man simply stands there, seemingly transfixed by the fire enclosed within the glass walls of the lantern.
Panel 17 - “This is your last fucking warning bud… Get the fuck out of here before I make you get out of here” standing not even a foot away from the three thumbed man, holding the lantern directly in line with the TTM’s face.
Panel 18 - A look of fear comes over his face as the fire flickers menacingly before him.
Panel 19 - (split panel) He flails his arms in his attempt of escape. His third thumb connects with the lantern.
Panel 20 - (split panel) The lantern goes flying out of the bus drivers hands and lands over in the direction of the tent.
Panel 21 - The tent goes up in flames
Panel 22 - the screams of the children and the bus drivers wife fill the silent forest air.
Panel 23 - same as book 2 issue 1 panel 8.
Panel 24 - the three thumbed man watches the scene from a safe distance along the tree line.
Panel 25 - come morning the bus driver is holding the charred remains of his two sons and his wife in his arms as he cries barely audibly to himself “I’ll fucking get you, no matter how long it takes, I’ll find you.”
Book 2/Part 1/Issue 3
Panel 1 - “hey fuck-twat did you hear me? I asked what you wanted from Wendy’s?” the one hit man says to the bus driver sitting in the back of the cop car.
Panel 2 - close up of the bus drivers face with a single tear sitting in the corner of his eye.
Panel 3 - the bus driver standing at the foot of the graves of his wife, and two sons.
Panel 4 - the bus drivers sitting behind the desk in an enormous executives office talking to someone on the phone. “just sell it all, I’m done with this fucking place, no I don’t care about their jobs, they can get new jobs, I can’t get what I lost back and for that reason I’m done with this part of my life, I’m leaving and moving on and so can they.”
Panel 4 - “no I haven’t decided what I’ll do with this next part of my life. No I really don’t think I’ll get this out of my system from a vacation. No I’ve made up my mind, sell it, split the money among everyone, think of it as their severance.”
Panel 5 - “Yes, I’ll be going to live in the town on the outskirts of Sasquatch forest. Why? Because that’s where I’ll find him. Now I’m through with this, you won’t hear from me anymore, from here on out my attorneys shall be handling everything. Goodbye.
Panel 6 - the hotdog vendor is seen sitting at his cubicle desk on the other end of the phone. “…bye”
Panel 7 - standing in his bedroom, he removes all the money he has in the safe behind the painting his wife had done for their third wedding anniversary and places it all in the briefcase he has on the bed
Panel 8 - the bus driver is seen pouring gasoline along the hallways of his once happy home.
Panel 9 - standing in the front doorway of his house he lights a single match, holds it up to his face to watch the flame flicker seductively before him.
Panel 10 - he throws the match down into the puddle of gasoline he left in the front hallway.
Panel 11 - the bus driver is seen walking down the long driveway of a rather extravagant home billowing smoke and engulfed in flames.
Panel 12 - he gets into his car and takes one last look at the last place he’ll ever remember happiness.
Panel 13 - driving down the highway he passes a yellow rhombus shaped sign with a black silhouette of what could be considered a Sasquatch and a smaller sign which read “next 10km”
Panel 14 - as the sign indicating Sasquatch falls was 20 km further was approaching the bus driver noticed a group of beings gathered on the edge of the forest.
Panel 15 - startled and blinded by rage the bus driver drives the car off the road straight into the highway sign.
Panel 16 - “I know you fucks choose not to understand us but i know what you are and I know you understand every single word. So you be sure to tell your friend that when I find him… I’ll treat him the same way he treated my family.”
Panel 17 - the beings vaguely resembling humans just stare blankly at the man screaming at them from outside his beaten up car on the side of the road.
Panel 18 - the bus driver gets back into the car and continues on his way towards Sasquatch falls.
Panel 19 - “yes, I’ve just moved here from out of town, thought I’d try a little more of a quiet environment compared to the big city.” said the bus driver to the female DMV representative behind the window on the counter.
Panel 20 - “and have you ever driven a bus before” inquired the DMV representative
Panel 21 - “well I had a little experience driving some pretty heavy vehicles back in ‘Nam and I had a brief stint of driving 18 wheelers for some companies up state for a few years. But that was before I got into business so it’s been a fair amount of time since I’ve driven anything bigger than a car but I’m sure it’ll all come back to me. You know, it’ll be like riding a bike.”
Panel 22 - staring mildly perplexed at the man “well I guess we’ll get you out on the course within the next couple weeks to start the training and we’ll take it from there.”
Panel 23 - “thanks just call me on my cell, I’m currently… in between houses.”
Panel 24 - “you mean you’re living in your car? Do you have anyone you could stay with even just for a while?” Because if you don’t I know it’s not much but there’s a couch in my living room that pulls out, I mean you’re always welcome to sleep there.”
Panel 25 - smiling for the first time since his family’s deaths. “I couldn’t accept that right now, we just met, it would be taking advantage of you, how do you know I’m not some crazed killer looking for the murderer of my family to kill him with my bare hands? But it’s really okay, I’m staying at the hotel uptown for the time being.”
Panel 26 - she looks shocked and taken aback by his strangely dark sense of humor. He says before stepping out the door “we’ll be seeing each other enough if I’m going to try and get my bus drivers license. But yeah, give me a call whenever you hear about some course time, or just if you’re ever looking for something to do.”
Panel 27 - he gets into his car looking back at the DMV in his rear view mirror he smiled for the second time that day.
Book 2/Part 2/ Issue 4
Panel 1 - 3 months later
The bus driver and the DMV woman are seen sitting in her apartment having a candle lit dinner and drinking red wine.
Panel 2 - “so you still haven’t gotten around to telling me what you used to do or where you even came from before joining us here in beautiful Sasquatch falls.
Panel 3 - the bus driver looks solemnly at her “it’s not all that interesting really. I used to own a business, a convenient store, it went belly up. So I decided to start over and just work in the service sector, at least it’s a pay cheque you know.
Panel 4. - “so have you always been the charming bachelor you are now?”
Panel 5 - draining his wine glass “yeah I guess you could say that….” As he stares blankly at the woman in front of him
Panel 6 - QUICK FLASH BACK
Sarah and the bus driver are standing in the kitchen of their home “you realize the kids have hardly seen you in over a month, and by the time you come home I’m already in bed ready to pass out. There’s no way that place can be more important to you than your own family. It’s not fair to me and definitely not fair to the kids.”
Panel 7 - “you’re right Sarah, you’re always right, I’m sorry, how about this, we’ll go on a family camping trip in a couple weeks. No business talk, no phones no contact with the outside world. You are right though, I lost sight of what’s important to me. It’ll be nice to spend some time with the only people that actually matter to me.
Panel 8 - back in the DMV woman’s dining room “I guess you could say I just never made time for a love life.
Panel 9 - “say this is a bit off topic but… Do the Sasquatch people ever come to town?
Panel 10 - “not very often, every once in a while you’ll see one walking around but don’t worry, they don’t hurt people, they’re just sightseers.
Panel 11 - “oh, well I guess that’s good to know.”
montage flash forward
Panel 12 - 1 year after
The bus driver and the DMV woman get married
Panel 13 - they buy a nice house on the outskirts of the falls
14 - 2 years later
The DMV woman gives birth to 2 twin girls.
15 - 5 years later
“Remember to pick up some milk on your way home” the bus drivers wife reminds her husband as he’s going out to work for the day.
16 - Same as book 1 issue 5 panel 1.
Book 2/part 2/issue 5
Panel 1 - “So what do we do with him? shoot him in the back of the head, leave him in a ditch and be on our merry way? said the one hit man without taking his eyes off the road for a single second. “he did kill that freak thing back there… he’s kind of in the same boat as us, we could probably just give him the old heave ho, sayonara have a nice life we won’t look for you if you don’t come looking for us type of arrangement.” The hit man sitting in the passenger seat says to his partner almost as if the bus driver couldn’t hear a single word the two of them were saying.
Panel 2 - “you really think we can trust him? i mean he even utters a vague description of us to anyone and the boss is gonna know where to start his head hunt.”
Panel 3 - “come on, this guy seems like a fairly level headed individual, he knows he’s getting off easy on this one, he knows he could be dead and left for the coyotes at this point, besides… we’re hitmen, word gets around fairly quick and if we get word that he’s been talking… we could just track him down, sneak up behind him and severe his head from his neck via piano wire.
Panel 4 - the bus driver still sitting in the back of the cop car speaks up for the first time “If it’s any consolation to either of you i really would like to just go home and tell my wife a Sasquatch ran in front of my bus today. That’s it that’s all.”
Panel 5 - The hitman driving the car begins to slow down car as him and his associate exchange a look, and the bus driver knows exactly what that look means.
Panel 6 - “you know what, I trust this guy.” “Yeah, I think you’re right, he’s obviously not stupid, you recognize him don’t you?
Panel 7 - “yeah, he’s the one the boss was doing business with a while back isn’t he?”
Panel 8 - “yep, he kept his mouth shut before, I’m sure he’ll keep it again…. But man did his disappearing act sure fuck up a lot of stuff for the boss. Thought he was gonna go to Feds.”
Panel 9 - “but just to be sure, just so he knows, if the boss finds out where we are, we’ll be sure to let him know we know where he is.”
Panel 10 - he stops the car
Panel 11 - the two throw the bus driver out of the car
Panel 12 - they beat him till he’s completely covered in his own blood
Panel 13 - they get back in the car, the hitman driving the car revs the engine, the other screams from the window “just remember, that was nothing compared to what he’ll do to you if he ever finds us.”
Panel 14 - the bus driver rolls onto his side into the pool of his own blood in the ditch by the side of the road.
DONE@4 months ago
Book 1/Issue 1
The fall of the Three Thumbed Man
Panel 1 - title card “Uh…”
Panel 2 - The Three Thumbed Man is seen purchasing a hotdog from a street vendor, at least 2 other people are eating hot dogs nearby.
Panel 3 - As he is in the process of moving the hotdog from his left to his right in order to get his wallet out of his pocket
Panel 4 - The Three Thumbed man’s third thumb (which is located directly in the middle of his palm) pushes the hot dog out of the bun, it rolls behind him through his legs and into the street.
Panel 5 - the three thumbed man chases after the hot dog into the open street just as a bus (which can be slightly seen at the edge of the panel) is passing by
Panel 6 - A crowd is gathered around the mangled corpse of the three thumbed man. (long view of the street and how many people are there)
Book 1/Issue 2
The revenge of the bus driver
Panel 1 - same as panel 6 from issue 1
Panel 2 - The bus driver is seen emerging from his bus and screaming “Not so fucking tough now are you, you filthy freak. I told you i’d fucking get you for what you did, it might have taken 5 years but i fucking got ya.”
Panel 3 - The bus driver goes over to the supposed corpse and stomps the three thumbed man’s head in just as the three thumbed man utters a barely audible “I’m sorry.” “Rot in hell you fucking firebug good for nothing bastardized version of a human being”
Panel 4 - A few people from the crowd try to hold the bus driver back just as he winds up another kick.
Panel 5 - A nearby cop who witnessed the accident apprehends the bus driver, who comes quietly
Panel 6 - just as the bus driver is put securely in the back of the cop car a gunshot is heard from over by the hotdog vendors cart. “stop thief” screams the cop
Panel 7 - a second gunshot is heard and the cop is shot right in between the eyes.
Panel 8 - two men drenched in blood get into the front of the cop car and drive off.
Panel 9 - The onlooking crowd stares blankly around at each other as the cop car drives out of sight.
Book 1/Issue 3
A hot dog made from sorrow
Panel 1 - same as panel 6 issue 1
Panel 2 - The Hotdog vendor is looking at the mangled heap of the what used to be the three thumbed man in horror struck awe.
Panel 3 - The hotdog vendor looks down at the fortune cookie fortune in his hand and exclaims “it was right”
Panel 4 - close up of the fortune cookie “you will play the penultimate role in the final moments of a long lost love’s life”
Panel 5 - he grabs a burning coal from the hibachi barbecue he has on his cart, swallows it, it burns a hole straight through his neck. He collapses to the ground struggling to breathe.
Panel 6 - The two guys who were eating hotdogs nearby notice the hotdog vendor “well, shit… That was unexpected”
Book 1/Issue 4
Panel 1 - two guys are walking down the road One guy says to the other “Wanna grab something to eat” the other guy replies “if these boxers were any tighter in the nut region I’m pretty sure I’d have ovaries by now. Sorry what ‘d’ya say?”
Panel 2 - the other guy asks “let me guess… cotton?”
Panel 3 - “yeah, what’s wrong with cotton? I’ve always liked cotton… This isn’t about the fabric, they probably just shrunk in the dryer… Or my nuts grew overnight…”
Panel 4 - “no way man, cotton scratches my scrotum raw… I only wear silk boxers. There’s something about the way it feels when the cool, almost menthol chill inducing, silk strokes the head of my dick.”
Panel 5 - the other guy just blankly stares at him…
Panel 6 - “Whatever, im still starving. Wanna just grab a hotdog from that guy up there?” Done
Book 1/issue 4.5
Panel 7 - “Did you just ask me if I wanted a hotdog after you’ve been talking about how you get off from your boxers giving you a handjob”
Panel 8 - “oh fuck off Freud, not everything over 4 inches long needs to be automatically associated with the dick, I don’t care what you’re doing but i know I’m getting a hotdog”
Panel 9.- The two continue talking a few feet from the hotdog cart “so what’s first today?”
Panel 10 - “shit, I haven’t even checked yet, I was just so focused on how hungry I was. But without further ado it’s time to find out who’s on the chopping block for today.” As he pulls an envelope from inside his jacket. The three thumbed man should be in the background about to buy a hotdog.
Panel 11 - a sheet of paper with the hotdog vendors face and information on it is seen sticking out of the envelope”
Panel 12 - “well hot damn, didn’t we luck out today, do you think it would in poor taste to take our money back after” the hot dog should be rolling through the three thumbed mans legs at this point.
Panel 13 - “never stopped you before, do you have the silence… WHAT THE FUCK”
Panel 14 - the two are drenched in the blood spatter from the three thumbed man
Panel 15 - “Holy shit, what the hell was that? are you okay”
Panel 16 - “yeah i’m okay, but that fucker isn’t doing too well anymore…” pointing to the heap of what used to be the three thumbed man.
Panel 17 - “hell this is perfect, this is the perfect distraction. With everyone running around looking at that poor sap we can shoot him, get our money back and get the fuck out of here before anyone notices.”
Panel 18 - same as panel 6 issue 3
Panel 19 - “fuck it, i’m still getting our money back.” as he’s bending over the hotdog vendors body rooting through his pocket looking for his wallet.
Panel 20 - the hot dog vendor looks up at him, still struggling to breathe through the massive, profusely bleeding wound in his throat and gasps “kill me”
Panel 21 - startled, he shoots him in the eye. “stop thief” screams the cop from outside the panel
Panel 22 - “Fuck, i hate explaining this kind of shit to the cops” Shoots the cop right in between the eyes.
Panel 23 - same as panel 7 issue 2
Panel 24 - same as panel 9 issue 2
Book 1/ Issue 5
Panel 1 - “I knew I’d find you someday you murdering son of a bitch, oh i see you, but i know you don’t see this coming…”
Panel 2 - THUD! blood splatters the windshield just as a heaped mound of flesh and blood is sent airborn from the impact of the bus.
Panel 3 - A clearly pregnant woman sitting at the back of the bus is thrown forward head first into the seat right in front of her from the impact of the collision.
Panel 4 - People on the bus start screaming, the bus driver opens the door gets out and starts screaming profanities at the top of his lungs in the direction of the heap on the ground.
Panel 5 - As the pregnant woman begins to regain consciousness, though she is still incredibly dazed, she realizes the immense amount of pain she’s in. she’s going into labour… she also realizes that the bus has emptied, and begins to call for help.
Panel 6 - at that very moment a being of some sort had materialized in the bus’ aisle and was beginning to walk towards her.
Panel 7 - A figure bathed in light and crying tears of blood stands before her.
Panel 8 - as the tears of blood steadily dripped onto her forehead, she began to feel calmer, “Thank you, i know you can hear my thoughts… you are an angel after all aren’t you?”
Panel 8 - “I’m whatever you want me to be. But listen closely, don’t worry, your baby is fine, you will be fine as well.”
Panel 9 - looking up into the glare of the being she thinks “will this hurt alot?”
Panel 10 - “Only if you let it hurt , it’s time, i’ll be right here.”
Panel 11 - “What do you mean only if i let it?”
Panel 12 - “I’m sure you’ve felt and will feel worse pains than this.”
Panel 13 - Looking away from the angel she thinks “I wish i knew where he was.”
Panel 14 - “Now’s not the time to question that. But it is time, i’ll be right here, you’ll be fine, now push” The angel has bent down in order to deliver the baby.
Panel 15 - a sense of tranquility comes over her as she pushes as hard as she can.
Panel 16 - gives birth
panel 17 - The angel hands her the baby “Take care of her, she’ll save the world someday…”
Panel 18 - She looks perplexed at the angel “Who are you?”
Panel 19 - “You know who i am, you’ll be fine, take care of her, I have to go”
Panel 20 - “You should probably get some sleep” a blinding light shoots forth from his hand and hits her in the chest.
Panel 21 - she looks down at the light on her chest and notices there seems to be some writing on it, but the light makes it unreadable.
Panel 22 - she looks back up and sees the angel has left her
Panel 23 - she looks at her baby, “i’ll take care of you, but first i think we need to sleep”
Panel 24 - She lies the baby down beside her on the bus floor and passes out.
Book 1/Issue 6
Panel 1 - same as panel 6 issue 1
Panel 2 - close up of an incredibly drunk, haggard looking old man. “How much money would somebody be willing to give me if I am successful in my mission to eat this entire bottle in less than 20 seconds?”
Panel 3 - a few members of the crowd turn to watch the drunk make an ass of himself…
Panel 4 - “come on people that flat fuck ain’t going anywhere anytime soon. But who knows if i’ll be able to get this entire bottle in my pie hole. $20 dollars? Do i have any takers?”
Panel 5 - before anyone even had the opportunity to agree to his wager, he screams “GO!” as he throws the wine bottle to the ground within the paper bag and proceeds to stomp on it.
Panel 6 - he tips the finely crushed glass into his mouth and begins to chew, blood streaming down his chin.
Panel 7 - “ HA! i told you cockmongers i could do… Shit sakes twatbreathe you sure know how to kick a guy when he’s down AHA!” in reference to the bus driver stomping the three thumbed man’s head in.
Panel 8 - The drunk stumbles away, walking towards the seemingly empty bus, he can hear faint whimpers for help. Blood is still teeming down his chin and neck.
Panel 9 - he stumbles his way onto the bus and finds a pregnant unwed girl sitting on the floor at the back of the bus alone, and by the looks of it, in labour.
Panel 10 - “Oh, fuck me, uh… look i don’t have anything to be able to rig up an epidural with, but here’s what i propose, drink from my flask… i mean the baby’s coming out anyway right? What’s the harm. No? okay fine.” blood sputtering from his mouth with every syllable.
Panel 11 - “Here just push, i heard that’s what you’re supposed to do… I’m just gonna take a peek down there to see what’s goin…” as he’s crouching to peer in between the girls legs.
Panel 12 - “Holy Hell the bastard… i mean the boy’s half way out as it is, maybe if i just give a yank… i… can… GOTCHA YA SLIPPERY SON OF A BIT… aha uh i mean here ya go lady”
Panel 13 - the baby’s in the mother’s arms as the drunk old man hobbles down the aisle of the bus.
Panel 14 - he looks out the windshield and sees the now three dead bodies littered around the street and sidewalk. “serves them right… probably a bunch of swindlers and baby nappers”
Panel 15 - “that reminds me, lady, take my card.” throws a business card towards the new mother.
Panel 16 - She looks down at the card. It’s a business card for the host of the game show “so you think you can trust your friends”
Panel 16 - he trips on the last step and falls face first into a phone booth.. “oh yeah that reminds me”
Panel 17 - steps into the phone booth
Panel 18 - steps out of the phone booth, wearing a nice black blazer, slicked back hair, and appears to be 20 years younger and sober. “I hope everyone’s ready to play.”
Book 1/Issue 7 -
Panel 1 - A fairly good looking man is seen walking across the street from the hot dog vendor “sure are a lot of fat people out today…”
Panel 2 - “Maybe it’s some sort of social pride event for their kind today…”
Panel 3 - He passes by a store front with a sign in the window which reads “ice cream 1/2 off!” “that makes more sense”
Panel 4 - THUD, a woman screams. He turns around to see a bloody heap lying in the middle of the street and a bus with blood on its windshield.
Panel 5 - he watches as the bus driver gets out of the bus, screaming, and stomps on the head of the three thumbed man.
Panel 6 - “holy fuck what are you doing” he runs over to the bus driver to hold him back from attacking again.
Panel 7 - he looks up and notices a beautiful girl holding the bus driver back as well.
Panel 8 - they both look frightened, confused but glad that the other person is there.
Panel 9 - The cop takes the bus driver into custody. And the two look at each other for a couple seconds.
Panel 10 - She is the first to speak, “It’s nice to see somebody else trying to look out for the little guy.” He looks at her, “by the looks of that mound of… well blood and guts… he wasn’t that little of a guy. aha shit sorry that was a bad attempt at a joke… this is just so fu—
Panel 11 - BANG! a gun shot comes from behind them,
Panel 12 - she screams and leaps into him,
Panel 13 - “stop thief” the cop shouts in the direction of the 2 guys by the hot dog cart
Panel 14 - cops shot in between the eyes
Panel 15 two guys get into car and drive away
Panel 16 - by this time the young blond girl is up against the man so close you can’t see her from the back…
Panel 17 - she stays there a moment while the man is still standing quite dumbstruck by the whole situation.
Panel 18 - she steps back “sorry, I’ve just … Never seen three people die in the span of of 3 minutes in real life before…”
Panel 19 - yeah, fuck… Uh… Don’t worry about it, I’m kinda shook up pretty bad right now too
Panel 20 - they both look blankly at each other
Panel 21 - they embrace each other in a single, deep kiss.
Panel 22 - he says “sorry, it’s just been so long and this whole things just so.. Fucked.
Panel 23 - “I know, it’s alright, I feel the same way…”
Panel 24 - they turn around and look lustfully at the seemingly unguarded, empty bus…
Panel 25 - they board the bus, hand in hand with her leading the way.
Panel 26 - the unconscious mother and her baby are seen at the back of the bus.
Panel 27 - “hi 911? You’re gonna want to get downtown … Relatively soon, three dead, and by the looks of it… A recently beaten brand new mother…” says the blonde into her phone.
“Good god damn, lady, are you alright? The man screams as he runs towards the back of the bus.
Panel 28 - the new mother looks at the man confused “yeah, I’m fine. Just fell asleep I guess” holding the still unwrapped baby in her arms.
Panel 29 - “Come on, let’s get you off this bus, the fresh air might help you, plus you’ll be right there when the paramedics arrive.” says the blonde
Panel 30 - the 4 of them exit the bus and stand next to a homeless man playing a saxophone on a street corner.
Panel 31 - when the new mother turns around the other 2 are gone and the bus windows have fogged over a bit…
DONE@4 months ago
Anonymous asked: make more videos.
One day…. I’ve been having creative differences with myself as of late@4 months ago
heroforsure asked: So when exactly did you just give up on accomplishing things?
Um… Claymation… That’s a… Personal accomplishment? Right? Kinda…?@2 years ago